AUDIO PRODUCTION TECHNIQUES
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What Made Bach Great? Johann Sebastian Bach 1685-1750
By Rick Beato
RAW ANALOG DRUMS + SUB BASS OSC
FREE DOWNLOAD
SUB is a vintage analog drums module recreating many classic drum sounds and a Sub-frequency oscillator for extra fun!
Imagination Off the Charts: Jacob Collier comes to MIT
First Musical Genius of the Century?
What's Wrong With Stock Plugins? Cubase 10 Channel EQ
Dan Worrall tutorials
David Kahne on Composing and Mixing with Cubase and Nuendo
Steinberg Spotlights
Create your first Voiceover Demo Reel with Audioblocks
Another great video tutorial from "Booth Junkie"
The Abbey Road Mic Collection with Sylvia Massy
Sound On Sound magazine
John Lennon's "Imagine": Inside the Song w/ Jack Douglas
Warren Huart: Produce Like A Pro
SOS Visit the world-famous Capitol Studios in Los Angeles
Sound On Sound magazine
TC Electronic Clarity M Stereo Review & Demo
TC Electronic New device that promises to provide valuable visual indicators while monitoring loudness, LUFS, True Peak, mono compatibility and more.
Adobe Audition -- Removing individual noises from audio clips
How to remove individual noises from audio clips.
Bring LUFS into your Life
Understanding Loudness
LUFS are a way of measuring loudness in your audio production. Let's find out why they're important.
How to Use the Link Channels Feature | Cubase Advance Features
Cubase
The Link Channels feature in Cubase is a great time saver, enabling you to add inserts or change settings for multiple channels in the MixConsole, rather than individually. You can choose which parameters to link, while using a VCA fader allows you to adjust the overall volume of the linked channels, but still adjust each individually. Quick link groups is an even faster way of letting you make small changes to multiple channels. Linking channels is yet another facility for quickly and easily controlling your mix in Cubase.
Eric Valentine's Electric Guitars — Queens Of The Stone Age
Sound On Sound magazine
In this episode, LA-based producer Eric Valentine (Queens Of The Stone Age, Slash) recreates the guitar sound from QOTSA's unique 2002 album, Songs for the Deaf. We look at every link in the chain from tuning and guitar choice through to amp settings, pedals, mic selection and post-processing.